WeeklyWorker

Society & Culture > Reviews

Human contradiction

10 Oct 1996

From the debate surrounding the novels of Irvine Welsh, Phil Rudge argues that under today’s cultural conditions only artists who choose the lines of most resistance are able to even approach a committed literature

Royal repair job

10 Oct 1996

Alan Fox reviews The Queen by Ben Pimlott (Harper Collins, pp651)

Drowning world

03 Oct 1996

Helen Ellis reviews Ashes to ashes by Harold Pinter (Royal Court Theatre Upstairs, at the Ambassadors, West Street, London)

Arthouse humanity

26 Sep 1996

John Craig reviews Smoke, Directed by Wayne Wang (USA, 1996)

Radical pioneers

26 Sep 1996

Phil Watson reviews Beat, Rhymes and Life, by A Tribe called Quest (Jive CD)

Into Africa - tooth and claw

26 Sep 1996

Folk enters Britpop

19 Sep 1996

Eddie Ford reviews Norma Waterson by Norma Waterson (Hannibal/Ryhodisc, 1996)

Crude attempt

12 Sep 1996

Breon James reviews Independence Day (directed by Roland Emmerich, 1996)

Action sundered

12 Sep 1996

Helen Ellis reviews Judith, a parting from the body, by Howard Barker (Battersea Arts Centre)

Dark moment in history

05 Sep 1996

review of Jesus Hernandez's How the NKVD framed the POUM (1996, pp27, £1)

Anti-propaganda propaganda

05 Sep 1996

Helen Ellis reviews the new Labour exhibition (Riverside Artists Group, Riverside Studios Gallery)

Lion’s meow

22 Aug 1996

Tommy Sheridan: If I were prime minister (Channel 4, August 11)

Exciting encounters

22 Aug 1996

Phil Rudge reviews solo guitar improvisations 1975-1977 (Domestic and public, CD, Emanem 1995) and Improvisation: its nature and practice in music (The British Library, 1992, 2nd ed) by Derek Bailey

Exotic squatters

25 Jul 1996

Breon James reviews White unto harvest by Mavis Howard, directed by Lisa Goldman

Fragmented lives

18 Jul 1996

Breon James reviews Fargo by Joel and Ethan Coen, at selected cinemas

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