WeeklyWorker

Society & Culture > Reviews

David who?

07 Nov 1996

Eddie Ford reviews Seventeen years of obscurity: memoirs from the back benches by David Watkins (The Book Guild Ltd 1996, pp235)

Properly utopian

07 Nov 1996

Kevin Watts reviews Breaking the waves, co-written and directed by Lars von Trier

Mummified ideology

24 Oct 1996

Phil Rudge reviews Red square, black square - Organon for revolutionary imagination by Vladislav Todorov (1995, pp200)

Unsaleable discovery

10 Oct 1996

Helen Ellis reviews Blinded by the sun by Stephen Poliakoff, directed by Ron Daniels (Cottosloe theatre, London)

Human contradiction

10 Oct 1996

From the debate surrounding the novels of Irvine Welsh, Phil Rudge argues that under today’s cultural conditions only artists who choose the lines of most resistance are able to even approach a committed literature

Royal repair job

10 Oct 1996

Alan Fox reviews The Queen by Ben Pimlott (Harper Collins, pp651)

Drowning world

03 Oct 1996

Helen Ellis reviews Ashes to ashes by Harold Pinter (Royal Court Theatre Upstairs, at the Ambassadors, West Street, London)

Arthouse humanity

26 Sep 1996

John Craig reviews Smoke, Directed by Wayne Wang (USA, 1996)

Radical pioneers

26 Sep 1996

Phil Watson reviews Beat, Rhymes and Life, by A Tribe called Quest (Jive CD)

Into Africa - tooth and claw

26 Sep 1996

Folk enters Britpop

19 Sep 1996

Eddie Ford reviews Norma Waterson by Norma Waterson (Hannibal/Ryhodisc, 1996)

Crude attempt

12 Sep 1996

Breon James reviews Independence Day (directed by Roland Emmerich, 1996)

Action sundered

12 Sep 1996

Helen Ellis reviews Judith, a parting from the body, by Howard Barker (Battersea Arts Centre)

Dark moment in history

05 Sep 1996

review of Jesus Hernandez's How the NKVD framed the POUM (1996, pp27, £1)

Anti-propaganda propaganda

05 Sep 1996

Helen Ellis reviews the new Labour exhibition (Riverside Artists Group, Riverside Studios Gallery)

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