WeeklyWorker

Society & Culture > Media, arts & sport

Günter Grass and the German neurosis

19 Apr 2012

Maciej Zurowski looks at a literary scandal and the bourgeoisie's attempt to cope with its past

The strange death of liberal media

18 Feb 2016

The Independent is Britain’s first major print casualty of the digital age, and probably not the last, writes William Kane

A spy in the house of drudge

11 Feb 2016

Geoff Andrews The shadow man: at the heart of the Cambridge spy circle IB Tauris, 2015, pp276, £20

Dealing with the legacy

04 Feb 2016

Artist and empire: facing Britain’s imperial past Tate Britain, Millbank, London SW1; ends April 10

Money spinning cargo cult

07 Jan 2016

Jeremy Hunt reviews, JJ Abrams (director) Star Wars: The Force Awakens (12A), 136 minutes, general release

The great escape

17 Dec 2015

As a line is drawn under the phone-hacking scandal, William Kane looks at the lessons

Using any stick, using any trick

17 Dec 2015

Eddie Ford welcomes Jeremy Corbyn’s defence of the Stop the War Coalition

Is this a Greek new wave?

26 Nov 2015

Rex Dunn reviews: Yorgos Lanthimos (director); The Lobster, general release

Women against men?

12 Nov 2015

Christina Black reviews: Suffragette, Sarah Gavron (director) general release

State and internet

29 Oct 2015

The hacking of TalkTalk has reminded us of the risks and compromises associated with the web, writes Yassamine Mather

Joan Littlewood unveiled?

22 Oct 2015

Simon Turley explains why we should honour a brilliant theatre-maker

Through the looking glass

22 Oct 2015

Jim Grant of Labour Party Marxists wonders if the bourgeois press thinks their readers are sheep

Artists and bureaucrats

01 Oct 2015

Censorship in the name of public order must be opposed, argues Harley Filben

No to ‘Marxist art’

17 Sep 2015

We need a Marxist theory of art, argues Rex Dunn

Surviving the press onslaught

17 Sep 2015

The new Labour leader is in for a rough ride, but he must learn to fight, says Daniel Harvey

Meet the new boss ...

10 Sep 2015

Rebekah Brooks has returned to the helm. William Kane welcomes her back

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