WeeklyWorker

Society & Culture > Media, arts & sport

Günter Grass and the German neurosis

19 Apr 2012

Maciej Zurowski looks at a literary scandal and the bourgeoisie's attempt to cope with its past

Revolt of the spirit

23 Jan 1997

Phil Watson reviews 'Dada turns red: The politics of surrealism' by Helena Lewis (Edinburgh University Press 1990, pp229, £12.95)

I know what I like

16 Jan 1997

Tom Ball reviews 'Art', directed by Matthew Warchus (Wyndham’s Theatre, London - £9.50-£25)

The ties that bind

28 Nov 1996

Kevin Watts reviews Lone Star, directed by John Sayles

Mob society

28 Nov 1996

Tom Ball reviews Rigoletto (English National Opera, London)

Fighting against compromise

28 Nov 1996

Andy Barrett is a writer and performer based in Nottingham. He was artistic director of the Touch and Go theatre company for two years and he helped set up and organise the successful arts project, Alive Arts, in Nottingham. He is currently touring with two pieces he has written and performs in. Phil Rudge spoke to him after a performance of Epic at a Revolutionary Communist Party conference, Where are all the heroes?, in London last week.

Properly utopian

07 Nov 1996

Kevin Watts reviews Breaking the waves, co-written and directed by Lars von Trier

Mummified ideology

24 Oct 1996

Phil Rudge reviews Red square, black square - Organon for revolutionary imagination by Vladislav Todorov (1995, pp200)

Unsaleable discovery

10 Oct 1996

Helen Ellis reviews Blinded by the sun by Stephen Poliakoff, directed by Ron Daniels (Cottosloe theatre, London)

Human contradiction

10 Oct 1996

From the debate surrounding the novels of Irvine Welsh, Phil Rudge argues that under today’s cultural conditions only artists who choose the lines of most resistance are able to even approach a committed literature

Radical pioneers

26 Sep 1996

Phil Watson reviews Beat, Rhymes and Life, by A Tribe called Quest (Jive CD)

Folk enters Britpop

19 Sep 1996

Eddie Ford reviews Norma Waterson by Norma Waterson (Hannibal/Ryhodisc, 1996)

Dangerous desires

19 Sep 1996

Crude attempt

12 Sep 1996

Breon James reviews Independence Day (directed by Roland Emmerich, 1996)

Action sundered

12 Sep 1996

Helen Ellis reviews Judith, a parting from the body, by Howard Barker (Battersea Arts Centre)

Anti-propaganda propaganda

05 Sep 1996

Helen Ellis reviews the new Labour exhibition (Riverside Artists Group, Riverside Studios Gallery)

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